More Creative Arts Emmy Presenters Set

Justified‘s Walton Goggins and Graham Yost, Glee‘s Chris Colfer and Kaira Falchuk, and also the Pee-Wee Herman Show on Broadway‘sPaul Reubens are probably the additional presenters introduced today for that 2011 Primetime Creative Arts Emmy Honours, looking for Sept. 10 in the Nokia Theatre L.A. Reside in La.Rebecca Romijn and Paul Scheer (NTSF:SD:Vehicle), Priscilla Presley and Steve Binder (Elvis’ 󈨈 Comeback Special), and H. Jon Benjamin and Adam Reed (Archer) will also seem to hands out honours.They join presenters revealed a week ago. The ceremony will air Sept. 17 on ReelzChannel.

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Beyonc Pregnancy May Push A Star comes into the world, and 5 Other Tales You Will Be Speaking About Today

Also within this Monday edition from the Broadsheet: Gambler author James Toback isn't happy with the planned remake… Zoe Saldana will get angel wings… Las Vegas 2 finds a difficult film writer… and much more ahead. · She’s getting a bey-by. Singer and sometime actress Beyonc Knowles revealed around the world in the MTV Video Music Honours on Sunday evening that they’s pregnant with husband Jay-Z’s child. (Place Future’s Child joke here.) Congratulations to the pair, but that which you worry about may be the Clint Eastwood-directed remake of the Star comes into the world that Beyonc will lead. Per Deadline, the planned Feb start date might be pressed back, that is great news since Warner Bros. still doesn’t possess a male lead despite some salesmanship from Eastwood throughout the J. Edgar shoot, Leonardo DiCaprio has gone out. Who’s next? Will Cruz? Jay-Z? Jo Calderone? [Deadline] · A minumum of one person wasn’t within the moon about Vital’s intends to remake the 1974 film The Gambler with Leonardo DiCaprio, Martin Scorsese and William Monahan attached: original film writer James Toback. Toback based The Gambler by himself existence in addition to Fyodor Dostoyevsky’s titular novella, and stated he wasn’t approached by Vital before remake plans were introduced. “So learning from the intend to ‘remake’ my movie simultaneously as well as in exactly the same fashion every other devoted readers of the esteemed column, I guess I ought to feel… what?” he authored within an email to Deadline. “That a tribute has been compensated to some creation I left out? I guess. But one doesn’t always feel what one should really feel.” [Deadline] · Talking about William Monahan, the Oscar-winning Departed film writer continues to be hired to operate about the script for Las Vegas 2. [THR/Warmth Vision] · Colombiana star Zoe Saldana has another action-y genre picture in her own future: She’ll produce and star in Dominion, a supernatural thriller in regards to a half-human/half-angel. [THR] · Release date time! The Zac Efron-brought adaptation from the Nicholas Sparks weepy The Lucky One hits theaters on August. 24, 2012. [Box Office Mojo] · Didn’t watch the MTV Video Music Honours on Sunday evening but wish to stay informed using what happened? Allow New You are able to Occasions author Dork Itzkoff to sum the whole appear for you personally in a single image. [NYT/ArtsBeat]

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Univision bets large on news

Univision is improving its news coverage, built around 'Aqui y hora,' co-located by Maria Elena Salinas, above, along with a top team of journos including Brit Karl Penhaul, below. While U.S. auds happen to be progressively sliding from news and current matters shows, Univision's U.S. The spanish language-speaking audiences are adopting the format.During the last ten years, Univision's primetime news magazine "Aqui y ahora" (Present), co-located by Maria Elena Salinas and Teresa Rodriguez, has upped its audience, while its British-language alternatives -- ABC's "20/20," CBS' "an hourInch and NBC's "Dateline" -- have forfeit nearly 50% of the audiences.The The spanish language-language TV giant expects to give the interest in such shows even more, using Univision News prexy Isaac Lee to improve the scope of their inhouse coverage.The moves dovetail using the company's intend to launch cable news funnel Univision 24/7 in fall 2012, over time for that U.S. presidential elections.The network is creating a large push into news, employing high-profile heavy-players having a slew of honours.Journos Karl Penhaul and Carlos Villalon happen to be employed as special foreign correspondents incompatible zones all over the world.Uk-born Penhaul originates from CNN and it has been located in Latin America since 1995. He's won a clutch of honours for his work, such as the 2010 Cine Golden Bald eagle for "La bestia," his docu planning illegal immigration from Guatemala towards the U.S.He seemed to be a part of a CNN team that won the 2006 Peabody award for is confirming of Hurricane Katrina and it is aftermath, along with the team that won the 2007 Edward R. Murrow award for coverage from the Lebanon war. Chilean photojournalist Villalon, that has labored for Redux Pictures and Getty Images, won second devote this years World Press Photo contest's general news category for his focus on cocaine gangs in Colombia.Mexican-born Maria Antonieta Collins -- a TV journalist, radio personality, writer, author and champion of two Emmys as well as an Edgar Murrow award -- is joining like a senior special correspondent.Univision also offers released documentary and investigative models and broadened local newscasts in Atlanta, Dallas, Houston and Raleigh.Univision's documentary unit, headed by scribe-producer Juan Rendon, intends to produce three docus annually.The very first the gate is "Infiltrados" (Treated), set to air in September. It focuses on intelligence agents whose infiltration of Colombian left-wing guerrilla org FARC brought towards the capture of their leaders.Lee, who became a member of Univision in The month of january, professional-created NatGeo's 2008 docu "FARC Hostage Save," which Rendon composed.Another docu within the works explores the growing influence of Iran across Latin America, and will also be a collaboration between your investigative and documentary models, states Lee. Gerardo Reyes, a Pulitzer prize-winning journo formerly in the Miami Herald, heads the investigative unit.Univision 24/7 will in all probability carry the net's weekly cornerstones. They are brought by public matters program "Al punto" (To the stage), which provides a typical 900,000 audiences on Sunday morning and it is moored by Univision's most influential newscaster, Jorge Ramos and "Primer impacto" (First Impact), co-moored by Peru-born, six-time Emmy-winning journo Pamela Silva Conde and Puerto Rican journo Barbara Bermudo."Primer impacto" may be the greatest-ranked The spanish language-language daily mid-day news enter in the U.S., outperforming syndicated British-language alternatives "Inside Edition," "Extra" and "Insider" within the 18-34 demo.While not wanting to reveal more particulars about Univision 24/7, Lee stresses the new employs along with other efforts to create more in-depth news coverage goal to supply U.S. Hispanic auds with compelling news reviews."All of this reaffirms Univision's commitment to purchase its inhouse news procedures and expand its news franchise," states Lee. Contact the range newsroom at news@variety.com

Paul Greengrass In Fear Index, Robert Zemeckis From Replay Because He Takes Flight With Denzel Washington

In June, Deadline says Fox 2000 had acquired the Robert Harris thriller novel Fear Index, in regards to a researcher who utilizes a revolutionary system laptop or computer calculations to trade about the unpredictability from the mobile phone industry's real estate markets. His hedge fund is extremely effective until he's specific by an burglar who breaks into his home. At that time, I’d heard that Paul Greengrass was mounted on direct, and the reps at CAA refused it. I authored it anyway. Now, Harris has stated within an interview for his potential released book that Greengrass is definitely likely to direct and also the filmmaker’s reps are actually acknowledging it’s true. The novel is going to be released the following month within the United kingdom and The month of january in america. Chernin Entertainment’s Peter Chernin, Dylan Clark and Jenno Topping would be the producers. and Harris is scripting it. Greengrass next directs the Somali sailing pic A Captain’s Duty with Tom Hanks starring for The new sony Pictures. Robert Zemeckis has formally dropped from the Warner Bros drama Replay, and also the studio is attempting to place the Jason Smilovic-scripted film together again with another filmmaker. Zemeckis left while he has finally devoted to direct Denzel Washington within the Vital thriller Flight. Within the John Gatins-scripted drama, Washington plays an industrial air travel pilot named Whip Whitaker. When his plane malfunctions along with a crash appears imminent, he saves your day with a few heroic flying and handles to land the plane with minimal casualties. Hes instantly praised like a hero, but being an analysis into the reason for the crash originates, it might be obvious that he was flying intoxicated by alcohol and drugs. The film may be the aircraft pilots journey because he is urged to put on quite the hero label he thinks he does not deserve, as the aircraft pilots union and air travel keep the details under cover due to our prime stakes involved. Walter Parkes and Laurie MacDonald are creating.

Chasing after Madoff

Financial analyst Harry Markopolos provided testimony throughout a Senate Banking Committee hearing concerning the Bernard Madoff scandal. A Cohen Media Group discharge of a Shaun Prosserman production. Created by Prosserman. Executive producers, Shaun Sackman, Anton Nadler, Randy Manis. Directed, compiled by Shaun Prosserman, in line with the book "Nobody Would Listen" by Harry Markopolos.With: Harry Markopolos, Frank Casey,Neil Chelo,Gaytri Kachroo, Michael Ocrant.Using the tone of the horror-thriller, a flamboyant disregard for that regular rules of nonfiction along with a hero who's a cpa, "Chasing after Madoff" is upbeat in fashion and downbeat to conclude: Bernard Madoff, perpetrator from the greatest Ponzi plan within the good reputation for Wall Street, might have been stopped in the Guccis ten years before his $18 billion plan was uncovered and the 150-year prison sentence passed down. Economic fatigue may dampen ticket sales, but author-helmer-producer Shaun Prosserman's docu might have a proper homevid afterlife, despite some strange directorial options along with a central figure as off-putting because he is tenacious. That figure is Harry Markopolos, an economic analyst and fraud examiner who, based on Prosserman's brisk, thorough account, spent 5 minutes with Madoff's amounts in 1999 before proclaiming the guy a charlatan. Markopolos ended up being employed by the Boston-based Rampart investment firm, and the boss, Frank Casey, was attempting to lure away a number of Madoff's clients. In writing, Madoff's record could not be capped, but none of them from it made sense towards the Rampart team, which incorporated Casey, Markopolos and Vice president Neil Chelo (all accustomed to great effect here). However they could not get anybody to do something, least of reps from the Investments and Exchange Commission, who are available in for that brunt from the film's angry, far-reaching indictments. As depressing because it is, the scandalous story behind "Chasing after Madoff" is ultimately the stuff of righteous indignation, so Prosserman need not have turned to quite the bag of methods he empties here. Markopolos, who went after the situation for a long time despite getting nowhere using the press, the federal government or institutional traders, states several occasions he does not enjoy being known as quite the hero, even while he enables Prosserman to fresh paint him as just that. Rarely has using dramatic re-enactments and staged configurations been quite this undisciplined: Enough time is dedicated to Markopolos' background -- his prep-school education, his officer's status within the Military Reserve, his Catholicism and, in one of many miscalculations, his paranoid enthusiasm for guns. Of course, it might be naive to consider he is at no danger: Thinking about the cash, reputations and lives on the line, cheap individuals active in the Madoff ripoff had already proven themselves unscrupulous, Markopolos could be excused for getting viewed his shoulder. However when he discusses getting practiced a "fight drill" together with his wife just in case the SEC found his house to get his documents, "Chasing after Madoff" wanders into Cuckooville. No concrete risks were ever fond of Markopolos (not based on the film, a minimum of), which does not stop Prosserman from amping in the action: One re-enactment -- in other words, enactment -- imagines a explosive device going off in Markopolos' vehicle another indicates anything killing from the Markopolos family. It's all regulated very unnecessary, because of the craven villainy and mess Prosserman very well and cogently displays when he stays towards the details. The film also problems in giving an excessive amount of screentime to grandstanding New You are able to Congressman Gary Ackerman, berating SEC authorities throughout a public House hearing on Madoff and repeating exactly the same points again and again, and also the weepy Madoff sufferers (recognized via their account amounts), who appear as supportive although not exactly noble. They were not giving their cash to Amnesty Intl. these were motivated by avarice and also the literally fantastic returns Madoff was "creating." Because the film informs us, 300 firms happen to be recognized as getting assisted or abetted Madoff there has been in regards to a dozen busts. "Chasing after Madoff" is really a helpful indication that is not even close to well with this banking institutions, which still lobby at a lower price regulation instead of more. However the human component of the film is really strangely annoying it frequently deflects from the primary target. Production values are tops, particularly David Fluery's stirring if from time to time overwrought score.Camera (color/B&W), Julian van Mil editors, Shaun Bessner, Garry Tutte music, David Fluery art director, Harrison Yurkiw seem, Dimitri Tisseyre seem designer, Serta Kuntz re-recording mixer, Jason Perreira connect producers, Mary Konieczny, Kris King, Gaytri Kachroo, Laurence Payne,Julian van Mil. Examined on DVD, New You are able to, August. 23, 2011. Running time: 90 MIN. Contact the range newsroom at news@variety.com

D23: Serta Scanlon and Billy Very talk Monsters College

Monsters College might feature Michael 'Mike' Wazowski and James P 'Sulley' Sullivan's college days however the prequel film also saw the development team heading to school too."At Pixar we all do our homework before we begin work which meant literally returning to college,Inch stated director Serta Scanlon, before joking: "The majority of us visited art school and also have no clue such a real college appears like.InchInchIt is an animated college movie," Scanlon stated, before solely revealing the more youthful designs for Sully and Mike and revealing a few of the other figures. "You have your awesome monsters, your nerdy monsters as well as goth monsters."He also says Steve Buscemi would return because the voice of Randall Boggs.Billy Very and John Goodman appeared as if these were getting fun inside a video message performed onscreen towards the crowd, before Very walked off camera and with the curtains to exhibit up survive stage for an appreciative audience.Speaking concerning the voice acting he stated Goodman and themself were getting an enjoyable experience being together again after ten years, adding that, "college is really a lengthy way away for me personally!InchIt's going to be rather a watch for Monsters College: "Our film continues to be 2 yrs out but we wanted to inform you around we are able to,Inch Scanlon stated.

Sean Penn Disappointed by Final Edit of 'Tree of Life'

Sean Penn didn't accept the ultimate edit of Terrence Malick's "Tree of Existence.""I did not whatsoever find on screen the emotion from the script, the most magnificent one which I have ever read," he informs French newspaper "Le Figaro" (via "The Brand New Yorker"). "A clearer and much more conventional narrative might have assisted the film without, for me, reducing its beauty and it is impact.""Frankly, I am still trying to puzzle out what I am doing there and things i was designed to add for the reason that context!" he added. "In addition, Terry themself never handled to describe it in my experience clearly."Penn adds, "It is a film I suggest about the condition that certain go only without expectations. It's as much as each to locate a personal emotional or spiritual connection. Individuals that achieve this generally leave very moved."Co-star Kaira Pitt (who performed Penn's father) stated in the Cannes premiere that dealing with Malick were built with a lasting impact on his career, however."It's transformed everything I have done since," he stated, explaining Malick's shooting style: "He's just like a guy standing there having a butterfly internet, waiting for your moment to put into practice.InchThe film had five editors and is at publish-production for 3 years before finally being launched within the U . s . States by Fox Searchlight in May. The Hollywood Reporter

Universal Signs Justin Lin To 2-Year Pact

Universal Pictures just signed Fast Five director Justin Lin to some two-year production deal for his recently created company, Barnstorm Pictures. Lin has directed three The Short and also the Furious series payments. The final was Fast Five, which hasearned a lot more than $600mat the world box office this year and was among the couple of vibrant spots within the studio’s year. Lin goes behind your camera forFast & Furious 6, to become launched May 24, 2013. Wishing to branch beyond fast vehicle movies, Lin is developing an action adventure spy film known as Leading Guy as well as an untitled project concerning the 442 Japanese American World war 2 battallion that's probably the most decorated in American history. He's also mounted on finish The Terminator franchise with Arnold Schwarzenegger, a project that's setup with Megan Ellison’s Annapurna banner.

Ryan Seacrest on 'American Idol's' Emmy Chances: 'It's Now or Never'

With all the chatter concerning Jennifer Lopez's return to American Idol (finally confirmed this week), it's easy to overlook the other show principal who could be eyeing the door: Ryan Seacrest.our editor recommendsEmmys 2011: 10 Reasons Why 'American Idol' Should Win'The Voice's' Adam Levine Slams 'American Idol' for Its Treatment of Gay PerformersThe Business Behind Kim Kardashian's TV WeddingRelated Topics•Emmys That's right, the 36-year-old Georgia native who logs in more broadcast hours than any entertainer working today (between TV, radio and web, not to mention Twitter and his 4.9 million followers) is on the last of his five-year contract with the Fox ratings juggernaut, which has earned the media mogul some $45 million. What will his next move be? By Seacrest's own admission, it might be too early to tell, but there is plenty to anticipate in the here and now, like his upcoming Emmy nomination for Outstanding Host for a Reality Competition (announced September 10 at the Creative Arts Emmys), this weekend's Kardashian wedding special on E!, produced by his own Ryan Seacrest Productions, and season 11 of American Idol, which began taping its audition episodes with judging panel fully in tact on Wednesday. The show is also up for Outstanding Reality Competition for the ninth year running. As for the state of Seacrest, the always affable host gave The Hollywood Reporter an update just after shooting wrapped on day one. The Hollywood Reporter: You're back at American Idol for the eleventhyear, is it sort of like riding a bike? You just jump right in? Ryan Seacrest: Yes, it's like riding a bike but every year you're not quite sure what make that bike is going to be. Is it going to be a Predator or a Mongoose? [Laughs] It was a good day. It's like the first day back at school, where I don't even remember what the contestants were singing because we were all gossiping with each other the whole time. We haven't seen each other in a few weeks. It's fun. THR: And of course Jennifer's announcement came that very morning, was there ever a time when you thought she might not return to the show? Seacrest:You never know, right? Not until they officially close the deal and tell you that she's coming back. I was hopeful because we had such a great season last year, I love her to death and I think that she fit in brilliantly. We need her role on the show. So I was very relieved to hear that she signed on again. THR: And on this first day of taping, has she been changing up her style at all? Seacrest: She probably felt a little bit more comfortable, but I think Jennifer got past any sort of training wheels by the first couple of weeks of the last audition tour. So I would imagine it's a little bit easier the second time around... She seemed in very good spirits. She had shrimp and some sort of meat on her plate for lunch. She wore fuschia. Everyone is good. We actually sat down and had lunch and laughed and talked about what we had done over the summer and it seemed like we had never put the show down. THR: Idol is up for eight Emmys this year, and in its decade on the air, it's only won one, a technical award for direction in 2007. Is it now or never? Seacrest: It seems to be. If it's going to happen, this would be the year. We have been on the air for now 11 seasons. We had a transition season last year and I think there was some doubt from people [as to] what would the show do, what would it deliver, how would the changes affect the ratings. But fortunately, we had one of our best seasons. We had a new energy and new dimensions to the show with Steven and Jennifer; there was a different mood, a different temperature, tone and texture to last year's American Idol. So I guess if we're going to do it, this is probably the year. THR: What does an Emmy win mean to you? Seacrest: It's special and flattering to be nominated. We're grateful that we're considered every year, but we want to win it. It would be nice to have one Emmy that says American Idol on the bottom of it. It is important to us. THR: Other than industry accolades, why is it so important? Seacrest: It's a great story to tell, isn't it? It's a great memory. This run has had so many and [an Emmy] is on of the most prestigious memories that we can all share. So I think we'd all like to have that sitting in the house. "We're grateful that we're considered every year, but we want to win it. It would be nice to have one Emmy that says 'American Idol' on the bottom of it. It is important to us." THR: Of course, Idol is never without its share of controversy. This week it's Adam Levine's cover story in Out Magazine accusing the show of discouraging contestants from being openly gay. Do you have any thoughts on the matter? Seacrest:I have not read it [yet], so I haven't given it thought actually, but I don't believe there is any agenda or conspiracy on this television show. I think that if you go and you talk to the contestants about it, you'll hear the same thing. It's also a live television show and I feel like I stand up there and encourage people to speak their mind and talk about what they're feeling and the emotions and the thoughts that they have while they're in the midst of this incredible roller coaster. So I would guess that if people haven't talked about it, it was by choice in the past. THR: On his Behind the Music, Adam Lambert commented that he didn't feel comfortable putting that out there while he was on the show. And in previous years, contestants such as Clay Aiken and even season 1 alums like Jim Verraros and RJ Helton weren't "out" on the show. Is that the nature of playing to the middle? Seacrest: That's a question to ask them. But I would imagine that it was a calculation they made for whatever reason. However, I think today in the world that we live in, being honest about who you are as a performer and feeling comfortable with it as a person is probably the best policy. THR: This is your last year under contract for Idol. What are you thinking beyond season 11? Seacrest: I have not even gone down that path of thinking about this being the last season. It's actually strange to hear it. Because I've been doing it for so long, it's part of my life, it's engraved in my schedule and I love doing it. So I hope to continue to do it. THR:Idol aside, you've accomplished so much. What's lefton your to-do list? Seacrest: I like the ability to be in front of the audience and talk to them on a regular basis, which is why I stay on the radio. I love the vehicle that American Idol has been for music and even for me personally. I like the company that I've had the opportunity to build, however, I'm interested in building the organization that's not just me in front of the camera, me on TV all the time. So I think that anything that I would do in the future or certainly an important part of my calculation, would be how can I augment that part of my agenda and goals as well as continue to be on the air? As I think forward, I make decisions in tandem. THR: As the producer of reality shows, when you hear about something like the suicide of Russell Armstrong, husband to Taylor Armstrong of Real Housewives of Beverly Hills fame, does it give you pause? Seacrest: Yes. You do take a step back and think about it. Certainly a situation like that is tragic. THR: Does a tragedy like that signal a wake-up call to reality TV producers? Should there be more stringent psychological testing? Seacrest: I don't know. In terms of the psychological analysis, for the competition shows they do quite a lot of that in terms of the background checking. But it's just one of those unfortunate situations. THR: Jamie Oliver's Food Revolution, which you produce, was not eligible for an Emmy this year... Seacrest: I was hoping it was going to be eligible because it's a show that accomplished something important and we all worked very hard on it -- our crew and Jamie as well as all the people involved in southern California. It was disappointing, but I guess that's the way the cookie crumbles. We still got one last year which is nice. THR: The Emmys are a work day for you, but who will you bring and what will you wear? Seacrest: I will wear Burberry and I will bring Julianne [Hough]. And yes, I'm out there working the beginning, red carpet part of it. Then I literally finish the last break on E! and run to get into my seat. But it's fun and I'm always glad to sit down, relax and watch the show. And it would be nice to walk away with one for Idol this year. Related Topics Emmy Awards Ryan Seacrest American Idol Emmys 2011

ARP nabs 'Seediq Bale'

"Warriors of the Rainbow: Seediq Bale" LONDON -- ARP has snapped up French rights to Wei Te-sheng's ''Warriors of the Rainbow: Seediq Bale,'' which is screening in competition at the Venice Film Festival next month. The $25 million epic pic, produced by John Woo, Terence Chang and Jimmy Huang, and sold by Fortissimo Films, will also screen in Toronto as a special presentation, it was announced on Tuesday. The deal was negotiated by Fortissimo's exec VP of sales Nicole Mackey and topper Michael J. Werner with ARP co-head Michele Halberstadt. StudioCanal's U.K. distribution arm Optimum Releasing snapped up the title earlier this month. Story, set in 1930s Formosa (now Taiwan), follows the true story of the Wushe Incident in which aboriginal Seediq tribe warrior Mouna Rudo led his people to rebel against Japan, which occupied the island at the time. The large cast includes native aboriginal Taiwanese and Asian thesps Da-Ching, Umin Boya, Landy Wen, Lo Mei-ling, Japanese thesp Ando Masanobu (''Sukiyaki Western Django'') and Taiwanese star Vivian Hsu. Pic is skedded for the largest release ever for a Taiwanese film in its home territory with already more than 100,000 tickets pre-sold for its September release in the country. Contact Diana Lodderhose at diana.lodderhose@variety.com

Amok Train - Fahrt ins Nichts

A shy co-ed and her classmates travel to Europe to see a ritual. With a satanist/professor with them, he lures them into deadly traps to become sacrifices to Satan. One co-ed is a virgin, the main key to bring Satan back to life. But can the co-ed lose her virginity before Satan controls the world?

The Mystery of Mr Wong

The Eye of the Daughter of the Moon, a golfball sized sapphire has been stolen in China and smuggled into the US. Richards, a rich man who knows a curse was placed on the Eye by the Emperor Hong Chong Tu as he buried it in his dead unfaithful wife's heart, expects to be murdered for receiving it. He shows Mr Wong the Eye and a death threat note. At a party, during a game of "Indications", Richards is shot, seemingly by his secretary, Peter Harrison. Add a peeking Chinese butler and maid, a budding singer, another criminologist, Richards' lawyer and an unsigned changed will. Mr Wong helps Street sort out the details to uncover all the secrets and the murderer.